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Christoph Ragg and Joanna Bailie
- scenografie en muziek

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"The Five Roles of Frank Morgan"

What does it mean to work on someone else's material? "The Five Roles of Frank Morgan" takes as its starting point the 1939 MGM musical "The Wizard of Oz", a film as rich in structural beauty as it is in popular and half-remembered iconography. At its basis the project is a more-or-less real-time "reconstruction" of the film. The speech marks indicate the inherently problematic nature of this idea. How much can or should one take? How might it be possible to recreate, in the context of the theatre, the tornado, the ensemble song and dance numbers (with only two people) or even the switch between sepia and
Technicolor?

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